Archive for April, 2008

Album Launch April 26

Silver City Highway Album LaunchSilver City Highway release their debut album - “Everything Is Breaking” at the Tote Hotel on April 26th, 2008. What started out in the middle of the night years ago turned into a band which made a record….. “all grimy and warm…..moody and morbid lyrical warnings delivered in murderous strains…..”

Silver City Highway release their debut album Everything Is Breaking, recorded by Aaron Cupples (The Drones, Dan Kelly), through Green Media/MGM Distribution. Renowned for their rock, psych and country lineage Silver City Highway are a seven piece outfit with a big Australian Rock’n’Roll heart and a Melbourne soul.

They present the album at an evening at The Tote on Saturday April 26 with Abbie Cardwell and band, The Ukeladies, Van and Cal Walker, and The Family Hour (featuring Henry Wagons). Everything Is Breaking is out mid April. 8.30pm, $12.

RTR FM Album Review

from RTR FM, Perth…

Silver City Highway - Everything is Breaking

Author
Simone Ruggiero
Published
Tuesday 8th April

Hitch a ride down the ‘Silver City Highway’ with this seven piece outfit and your bound for a beautifully atmospheric journey. ‘Everything is Breaking’ takes you to destinations where blues, country and rock combine to create a conceptually connected album. With a band backed with established musicians and one that was recorded by Aaron Cupples who has worked alongside The Drones and Dan Kelly, this CD is inundated with success.

The album is widely theatrical providing powerful vocals and an intense instrumental score. Front man, Fergus McAlpin delivers soothing and sometimes narcotic sounding vocals, in moments reflecting the earlier work of Nick Cave. McAlpin honours Cave with deep and engaging vocals often bordering on spoken words. The title track of the album delivers a dreamlike vibe and sets the standard for the rest of the CD. You are taken on a ride with Silver City Highway and only released after the completion of nine songs. Who knew that country music could sound so haunting, but with a track like ‘Dear Elizabeth’, Silver City Highway prove that their much more than any other Australian rock/country outfit. The eeriness of the album is largely due to the harmonica and pedal which feature heavily in all tracks and in turn have enormous impact over the overall sound.

With a Melbourne soul, Silver City Highway have collaborated a superb collection of songs for their new CD. Entering into a blend of country, blues and rock genres the album achieves a very pleasing symphony of sound. Join the boys from Silver City Highway and hop on the band wagon.


Silver City - PBS FM Single Launch Review

From pbsfm.org.au

 Silver City Highway@ Northcote Social Club, 22/3/08

I first stumbled upon the haunting and hypnagogic strains of SCH last summer. It was at the tail end of Sunday sadness, during some feel -better beers at the Labour and I was very much instantaneously won over. Soothing yet totally exhilarating, this unsigned side- project screams with understated potential. They gig around Fitzroy haunts such as Old Bar, venues conducive to this band’s casual yet colossal charm. One of Silver City’s greatest strengths is an easy, yet oscillating intimacy with their audience and subsequently Silver City is suited to smaller venue’s like these but to witness the full glory of the band in its seven- piece, orchestral incarnation; a venue like the Northcote Social club is ideal.

On Saturday night the sound was heady and full and despite the band seeming slightly terse at points, this dynamic worked for rather than against them. From the Johnny Cash black of guitarist Ryan Nelson and front man Fergus McAlpin, to the wife beater clad double bassist, SCH is living proof of what an aesthetically and musically diverse beast country music can be. The Northcote band room had the somnolent, sleepy atmosphere of an opium den, created by Seamus’ psychedelic sound effects and Nelson’s plethora of pedals and intuitive guitar work.

Silver City Highway’s primary skill exists in their ability to commune and retract, to create psychic landscapes and occupy them entirely, so the listener is inside with them and locked out simultaneously. Which sounds seriously contradictory and a bit tripped out, man; but this is the riddle of the sphinx which makes Silver City Highway such a special band. It also helps that they boast one of the best drummers in Melbourne, the ever- beatifically- beaming Simon Edwards. He’s technically fantastic, but it’s all in the expression; he looks like he’s genuinely journeying into some kind of state of transcendence.

I don’t like to bandy the word around, but bliss is the real currency of the Silver City performance. On this evening, the band was introspective than usual and seemingly more serious; when Fergus broke into a smile, it was downright dazzling. The solemnity dissipated when Nelson planted a smacker of a kiss on Fergus’ cheek after an archipelago number that in my opinion didn’t quite survive the acoustics of the room, nor do his pretty majestic voice justice. 

For Mid- Easter weekend, the turn out was very good, even if the audience was largely made up of the walking wounded. They delivered a controlled dosage of raw, narcotic sound, which reached a chilling crescendo point at I don’t know if I’ll ever make it back again. I’m hoping that they always stay this close to this dark country edge, but move a little closer to the forefront in the very near future.